Derek Jarman vists USA and buys a copy of The Naked Lunch. He then returns to the Slade where he was studying painting and starts hanging out with gay artists, most notably around David Hockney.
May: Super 8mm film stock is introduced by Eastman Kodak. It largely superseded the older standard 8mm format, as it had larger frames that yielded a clearer image.
Jarman attends film screenings at the Arts Lab and Better Books. The first American experimental film he sees is Kenneth Anger’s Scorpio Rising (1963) at Camberwell School of Arts and Crafts.
William Burroughs collaborates with filmmaker Antony Balch on the experimental film The Cut-Ups (1966), which was inspired by Brion Gysin’s approach to the cut-up technique’ and contains footage shot in Paris, London and Tangiers from 1961–65. Gysin had introduced Burroughs to the cut-up method at the Beat Hotel in Paris in September 1959.
See The Cut-Ups on Ubuweb
Derek Jarman moves his studio (and in 1969 his dwelling) to a warehouse at 51 Upper Ground, near the corner of Blackfriars Road on the south bank of the River Thames, a place that was to become ‘a Mecca for London’s avant-garde’ with its parties thrown by Jarman with Peter and Andrew Logan.
A theatre student gives Derek Jarman a Super 8 camera, which he uses to film friends in his loft-style apartment at Bankside. Over the next ten years, Jarman continues to make ‘home movies’ with friends using props and whatever is at hand. He later says that these films are more important than his feature films.
Genesis P-Orridge establishes the music and performance art collective COUM Transmissions in Hull. Other prominent members included Cosey Fanni Tutti and later Peter ‘Sleazy’ Christopherson and Chris Carter.
Summer: Jarman and friends throw a massive party to bid farewell to their studio at 51 Upper Ground, which is scheduled for demolition. Tennesee Williams is reported to have turned up with no invitation. Ken Russell comes and asks Jarman to design sets for The Devils (1971).
Jarman moves to 13 Bankside (1970–72), on the top floor of a riverside warehouse alongside Southwark Bridge. To cope with the cold of his uninsulated attic room, Jarman famously set up a greenhouse as his bedroom. Bankside also became well-known for parties and hosted a constant steam of friends and visitors.
Studio Bankside, Derek Jarman, 1970–72, super 8, col and b/w
Super 8 with optical sound and loaded in 2-hour cassettes are used for in-flight movies.
Jarman borrows a 16mm projector and organises film screenings at Bankside, showing everything from Hollywood movies to Warhol, Genet, Cocteau and films from the London Filmmakers’ Co-op.
September: Sony introduces a new 3/4 inch analogue recording videocassette format called U-matic.
Andrew Logan holds his first Alternative Miss World competition at Downham Road in Hackney. David Hockey is one of the judges.
More on the history of the Alternative Miss World here.
Ways of Seeing, the highly influential four-part BBC television series by writer John Berger and producer Mike Dibb, is broadcast on television.
Summer: Jarman moves to a riverside studio on the third floor of Block A1 Butler’s Wharf next to Tower Bridge, where he lives and works until 1979. A thriving artist community begins to form at Butler’s Wharf and Jarman’s neighbours include Andrew and Peter Logan.
On the waste ground next door, Jarman films the ritualistic fire scenes for In the Shadow of the Sun, with a fire maze, candles and flashing mirrors. A soundtrack by Throbbing Gristle is added in 1980.
The Siren and the Sailor (aka At Low Tide), Derek Jarman, 1972, Super 8, col.
I’m Ready For My Close Up (aka Miss Gaby Gets it Together or All Our Yesterdays), Derek Jarman, 1972, Super 8, col.
In the Shadow of the Sun, Derek Jarman, 1972–74/1980, 50 min., Super 8 blown up to 16 mm in 1980, col.
Cabaret Voltaire, initially comprising Richard H. Kirk, Stephen Mallinder and Chris Watson, is formed in Sheffield. Some of their early experiments were released on the Industrial Records cassette, 1974-1976.
Genesis P-Orridge and Cosey Fanni Tutti relocate from Hull to London. They move into a squat and obtain a basement studio in Hackney, which they name the ‘Death Factory’.
Genesis P-Orridge meets William S. Burroughs, who introduces him to Brion Gysin.
Derek Jarman films the 2nd Alternative Miss World, held at Downham Road, Hackney.
Andrew Logan Kisses the Glitterati, Derek Jarman, 1973, Super 8, col.
Andrew, Derek Jarman, 1973, Super 8, col.
Red Movie (aka Tourist Film), Derek Jarman, 1973, Super 8, col. shot through red filter
Stolen Apples for Karen Blixen, Derek Jarman, 1973, Super 8, b/w
Gerald Plants a Flower, Derek Jarman, 1973, Super 8
Gerald Takes a Photo, Derek Jarman, 1973, Super 8
Tarot (aka The Magician), Derek Jarman, 1973, Super 8, col.
Garden of Luxor (aka A Garden in Luxor), 1973, Super 8, col.
Kevin Whitney, Derek Jarman, 1973, Super 8, col.
Beyond the Valley of the Garden of Luxor Revisited, Derek Jarman, 1973, Super 8, col.
Burning of Pyramids, Derek Jarman, 1973, Super 8, col.
Death Dance, Derek Jarman, 1973, Super 8, col.
Arabia, Derek Jarman, 1973, Super 8, col. and b/w
Green Glass Bead Game, Derek Jarman, 1973, Super 8, col.
Sulphur, Derek Jarman, 1973, Super 8, col.
A Journey to Avebury, Derek Jarman, 1973, Super 8, col.
Ashden’s Walk on Møn (aka Walk on Mon or Space Travel, A Walk with Mon), Derek Jarman, 1973, Super 8, col.
Shad Thames, Derek Jarman, 1973, Super 8, b/w
Café in Tooley Street, Derek Jarman, 1973, Super 8, col.
Miss World, Derek Jarman, 1973, Super 8, b/w and shot through pink filter
Fred Aston Fashion Show, Derek Jarman, 1974, Super 8, col.
Bill Gibb Show, Derek Jarman, 1974, Super 8, col.
Duggie Fields at Home (aka Duggie Fields), Derek Jarman, 1974, Super 8, col.
Picnic at Ray’s (aka Picnic at Rae’s or Lunch at Rae’s), Derek Jarman, 1974, Super 8, col.
Herbert in NYC (aka New York Walk Don’t Walk), 1974, Derek Jarman, Super 8, col.
New York City (aka NYC), Derek Jarman, 1974, Super 8, b/w
Dinner and Diner, Derek Jarman, 1974, Super 8, b/w
The Devils at the Elgin (aka Reworking the Devils), Derek Jarman, 1974, Super 8, b/w
Fire Island, Derek Jarman, 1974, Super 8, col.
My Very Beautiful Movie, Derek Jarman, 1974, Super 8, col.
The Kingdom of Outremer, Derek Jarman, 1974, Super 8, col.
Sloane Square: A Room of One’s Own (aka Removal Party), Derek Jarman, 1974–76, Super 8, col.
Derek Jarman (as Miss Crepe Suzette) wins the 3rd Alternative Miss World, held at Andrew Logan’s studio at Butler’s Wharf.
The Sex Pistols play at St Albans School of Art.
The Sex Pistols play at Chelsea School of Art.
Sex Pistols play in Bromley linking up with the ‘Bromley Contingent’, who go onto to have a substantial influence on fashion.
Domestic Sanitation, Helen Chadwick, 30 min, mag, LFMC Distributed
The Sentence, Claire Cresswell, 10 min, standard, silent, LFMC distributed
Shadow of a Journey (-1980), Tina Keane, 20 min, w/mag strip, Viva 8
Four Portraits, James Mackay, 12 min
Corfe Film (aka Troubadour Film), Derek Jarman, 1975, Super 8, col.
Ken Hicks, Derek Jarman, 1975, Super 8, col.
Sebastian Wrap (aka Sebastiane Mirror Film or Mirrors or A Break from Sebastiane), Derek Jarman, 1975, Super 8 blown up to 16 mm in 1981, col.
Karl at Home, Derek Jarman, 1975, Super 8, b/w
Gerald’s Film, Derek Jarman, 1975, Super 8, col.
The Sex Pistols practice in Jarman’s studio and he films them on Super 8.
Malcolm McLaren and Vivienne Westwood give talk at Fashion Forum – New Designers at ICA encouraging and exploring the cross overs between art, fashion and pop culture. Sex Pistols are in audience.
Sex Pistols play Valentine’s Ball at Andrew Logan’s studio on Butler’s Wharf. The NME are there and the occasion is drug fueled and confrontational.
Following a series of high profile events including the infamous gig at the Free Trade Hall in Manchester, McClaren organises a sixties-style psych band night at Screen on the Green, Islington featuring Buzzcocks, The Clash, Sex Pistols, preceded by Kenneth Anger’s Kustom Kar Komandos and Scorpio Rising.
John Maybury is there and has an ‘epiphany’.
May: 2B Butler’s Wharf opens as a venue for showing performance or live work. Regular Saturday evening shows began with presentations by artists who had their studios there, but quickly extended to include work by other artists and associates. 80 shows were held there over 2 and a half years, over 30 of which involved film projection.
More on 2B Butler’s Wharf here.
COUM Transmissions’ now infamous Prostitution exhibition is held
at the ICA. The exhibition represents the end of COUM’s art-related activities. Genesis P-Orridge and Cosey Fanny Tutti, together with Peter “Sleazy” Christopherson and Chris Carter, relaunch themselves as the industrial band Throbbing Gristle at the opening. The exhibition, which included performances as well as photographic documentation, pornographic images, tampon sculptures and other ‘props’ from previous actions, is met with hostile reaction from the public and national press. Tory MP Nicholas Fairbairn wrote in the 19 October issue of the Daily Mail: ‘Public money is being wasted here to destroy the morality of society. These people are the wreckers of civilisation.’
The Sex Pistols in Concert, Derek Jarman, 1976, Super 8, b/w,
Ula’s Fête (aka Ula’s Chandelier), Derek Jarman, 1976
Houston Texas, Derek Jarman, 1976, Super 8, col.
The Sea of Storms (aka Kingdom), Derek Jarman, 1976, Super 8, b/w
Sebastiane, Derek Jarman, 1976, 16 mm blown up to 35 mm, col.
Jubilee – Derek Jarman
Sketch for Films – Michael Maziere 3mins
Sketch for Films – Michael Maziere 3mins
Colour Prejudice – John Devine, 12 mins, silent, colour, LFMC distributed
Field Film No.2 – Terence Ellis, 12mins, LFMC distributed
Cabaret Voltaire sign to Rough Trade Records, who later release acclaimed albums such as The Voice of America (1980) and Red Mecca (1981).
Modern is as Modern Does, John Maybury, 15 min
Sunbathing for Idols, John Maybury, 25 min
From Face to Face (slides of images), Anna Thew, 16 min, mag, colour + B/W, LFMC distributed
The Sentence, Claire Cresswell, 10 min, standard, silent, LFMC distributed
Every Woman for Herself and All for Art, Derek Jarman, 1978, Super 8, b/w, blown up to 16 mm in 1981
The Fountain, Derek Jarman, 1978, Super 8, col.
The Pantheon, Derek Jarman, 1978, Super 8, col.
Italian Street Scene, Derek Jarman, 1978, Super 8, col.
Italian Ruins, Derek Jarman, 1978, Super 8, col.
Jubilee, Derek Jarman, 1978, 35 mm, col.
Commissioned by Island Records, Jarman produces a 12-minute promotional music video for three songs from Marianne Faithfull’s album Broken English: ‘Witch’s Song’, ‘The Ballad of Lucy Jordan’ and ‘Broken English’.
From Face to Face, Anna Thew, 18min
Broken English: Three Songs by Marianne Faithfull, Derek Jarman, 1979, 12 min., Super 8 and 16 mm blown up to 35 mm, col. and b/w, includes ‘Witches Song’, ‘The Ballad of Lucy Jordan’, and ‘Broken English’
The Tempest, Derek Jarman, 1979, 35 mm, col.
Billy’s in Soho precedes the Blitz club.
Steven Jones as hat maker going to Blitz but also going to St Martins for three years.
Steven Strange a former employee of clothes shop PX starts Blitz. The club in Great Queen Street Covent Garden attracts unusual, bright and sharply dressed young people of various sexual persuasions and runs every Tuesday for the year. It plays german electro Kraftwerk, Bowie, Giorgio Moroder. Glamourising against the greyness of seventies Britain. Nostalgia for the future. Sci-fi meets 50s. Heroes by Bowie is a favourite. Creative and competitive. Boy George worked as the coat boy.
Visage something of a Blitz band. Steve Strange as a front man. Sounds write it up as New Romantics in September of the year, it which point it starts to lose its cool but people come in their droves, inc Bowie who casts four attendees in his video for number 1 hit Ashes to Ashes, inc Steve Strange. New technology. New confidence.
The Bow nr Kings Cross where Jarman, Pet Shop Boys and Michael Clark went. Scene is centred around style and exclusivity.
Jarman and Genesis P-Orridge start collaborating on a series of short films and music videos, including In the Shadow of the Sun (1980), TG Psychic Rally in Heaven (1981), Pirate Tape (1982), Diese Machine ist Mein Antihumanistiches Kunstwerk (1982) and Imagining October (1984).
March: Spandau Ballet play at the Scala cinema, following two Bunuel films and an announcement/performance from Robert Elms.
May: Nick Logan starts monthly music, fashion and culture magazine, The Face (1980-2004).
The Conservative Party win the general election and Margaret Thatcher becomes the first female Prime Minister of UK.
July: Cerith Wyn Evans has his first one-man show at the London Filmmakers’ Co-op.
Robert Elms documents pop and fashion scene in The Face.
Terry Jones launches i-D (1980 – present).
Oxford University students Carey Labovitch and Simon Tesler found Blitz magazine (1980-91).
Daily Telegraph describes discos as ‘dehumanising threat to civilisation’.
Muscle Lens, Steve Farrer, 3 min
Cosmetic Angels Under Pressure, John Maybury, 20 min
So This Is Now, John Maybury, 30 min
The Attitude Assumed 1: Still Life with Still Born, Cerith Wyn Evans, 25 min
Action Sentimentale, Cerith Wyn Evans, 9 min
Still Life with Chairman Mao, Cerith Wyn Evans, 10 min
Still Life with Phrenology Head, Cerith Wyn Evans, 10 min
Phoelix, Ann Ambrose (starring Cosey Fanni Tutti)
Blind Corner, Ian Kerr, 10 min, 2 screens, Recent S8
The Missing (mix of elements), Jo Comino, 6 min, mag
Liberty’s Body, Vivienne Dick, 1980, 47 min
20th Century Box: Teenage Ballroom Dancing tx 29/6/80 LWT
20th Century Box: Spandau Ballet tx 13/7/80
20th Century Box: Unemployment tx 7/12/80 – teenage unemployment
Compilation of William Burroughs records 1959–78 Nothing Here But the Recordings released by Industrial Records.
New Sounds New Styles magazine starts.
March: John Maybury has his first one-man show at the London Filmmakers’ Co-op.
The Brixton riots involve over 5,000 people and £7.5 million in damage as ongoing tensions erupt over rumours of police brutality against a black man in Lambeth, South London – an area afflicted by high unemployment, economic deprivation, racial tensions and poor relations with police.
Throbbing Gristle play their final performance at the Kezar Pavilion in San Francisco. Genesis P-Orridge and Peter “Sleazy” Christopherson go on to form Psychic TV, while Cosey Fanni Tutti and Carter continue to record together under the names Chris and Cosey, Carter Tutti and the Creative Technology Institute.
Super 8 films by Cerith Wyn Evans and John Maybury are featured in a two-person show, New Romantic Cinema or A Certain Sensibility, held at the ICA.
December: Andrew Czezowksi and Susan Carrington open new nightclub, The Fridge, on Brixton Road. Became a regular venue for showing video in a nightclub, often referred to as the birthplace of Scratch Video.
December 1981 – January 1982: John Maybury has an exhibition film and drawing at B2 Gallery, Wapping.
A Courtesan and Her Reflection, John Maybury, 16 min
Exiled from the Image Repertoire, John Maybury, 10 min
Is Like a Melody, John Maybury, 9 min
Solitude, John Maybury, 10 min
The Technology of the Souls, John Maybury, 10 min, Salon of 83
Shallow Terrorists, John Maybury, 24 min
A Fall of Angels, John Maybury, 40 min
Continuous Beauty Brainwash, John Maybury, 30 min
Have You Seen Orphee Recently?, Cerith Wyn Evans, 27 min
He Who Falls..!, Cerith Wyn Evans, 7 min
The Attitude Assumed 2: Beauty is Only Screen Deep, Cerith Wyn Evans, 25 min, 2 screens
Liquid Gate, Jo Comino
Here, Malcolm Ellis, 5 min, Recent S8
Japanese Houses, Steve Gerrard, 3 min, Recent S8/Exp Film & Video GB Berlin 25-28 September 84
Clenched Fist, David Botsford, 12 min, 18fps, LFMC distributed
Throbbing Gristle, T.G.: Psychic Rally in Heaven, Derek Jarman, 1981, 8min., Super 8 blown up to 16 mm, col.
Jordan’s Wedding, Derek Jarman, 1981, Super 8, col.
Cabaret Voltaire establish the label Doublevision to release videos by themselves and other industrial/experimental artists. In 1983, they start to release records as well.
Dimitri Hegemann founds Berlin Atonal, an electronic music festival that fostered experimental acts such as Psychic TV and Test Dept.
Whitehouse play first gig (Live Action 1) at Whisky Agogo, filmed on super 8 by Paul Hurst who films two subsequent gigs. Un Chien Andalou and excerpts from Texas Chainsaw Massacre are screened before.
Neo-Naturist May Day performance at Spanish Anarchist Centre Iberico on Harrow Road, former school now squatted. Venue is a favourite for the Anarcho-Punk scene. Political but also gothic with its proximity to Kensal Green Cemetary.
26–30 May: John Maybury’s Court of Miracles (Moments Before Desire) (1982) is screened at the ICA.
14–19 June: The Neo-Naturists live in the B2 Gallery for 5 days and transform it into a 24-hour live-in installation featuring Christine Binnie, Jennifer Binnie, Wilma Johnson, Grayson Perry and others.
Whitehouse play Centre Iberico with Neo-Naturist cabaret as support.
2–5 August: New Super 8 Film in London is held at B2 Gallery. It includes an installation and four days of events and live performance, by John Maybury (with Hermine and Charlie Pig), Michael Kostiff, Derek Jarman and Cerith Wyn Evans.
The original Betacam video format is launched by Sony.
The Final Academy Event at Ritzy Cinema, Brixton celebrating William Burroughs. Cabaret Voltaire, Z’EV and Psychic TV performing for the first time. It is organised by David Dawson, Roger Ely and Genesis P-Orridge.
The Dream Machine is screened at the different parts of the event. It is a 16mm portmanteau film made by Derek Jarman, Michael Kostiff, Cerith Wyn Evans and John Maybury, all sequences shot on super 8 and blown up. Maybury’s transgressive sequence includes brief extracts from Driller Killer by Abel Ferrari and Everything Counts by Depeche Mode.
The Final Academy event is repeated on a smaller scale at the Hacienda in Manchester. Events and happenings also take place at B2, London (centre of operations) and in Liverpool.
Opening broadcast of the new Channel 4, which focuses on youth and alternative audience.
First Transmission – PTV
Court of Miracles (Moments Before Desire), John Maybury, 41 min
Greek and Turkish Life, Cordelia Swann, 3 min
Passion Tryptych, Cordelia Swann, 3 min
Red, Cordelia Swann, 3 min
Split City Rushes, Anna Thew, 30 min
Berlin Meine Augen, Anna Thew, 23 min
Image A Pedagogie, Cerith Wyn Evans, 8 min
For a Woman, Carol Salter, 30 secs, Recent S8
Hey Mac, Tina Keane, Viva 8
Confessions of a Little Girl Who Never Received A Visitation from the Sacred Heart, Sara Pirosek, 5 min, 24fps, Exp Berlin
Divorce, George Barber, 25 min
The Facts About John and Greenwich, George Barber, 15 min
Rake’s Progress, Derek Jarman, 1982, Super 8, col.
Pontormo and Punks at Santa Croce, Derek Jarman, 1982, Super 8, col.
B2 Movie, Derek Jarman, 1982, Super 8 transferred to video, col. and b/w
Waiting for Waiting for Godot, Derek Jarman, 1982, Super 8 and video, col. and b/w
Pirate Tape, Derek Jarman, 1982, Super 8 later transferred to video and 16 mm
Ken’s First Film, Derek Jarman, 1982, Super 8, col.
Diese Machine ist Mein Antihumanistiches Kunstwerk, Derek Jarman, 1982, Super 8, b/w
Twentieth Century Box: Fashion tx 29/8/82 – Look at the development of New Romantic fashion designers
Derek Jarman presents regular Sunday evening Super 8 and 16mm film screenings at B2 Gallery.
Landslide victory for the Conservative Party in the UK general election, Margaret Thatcher wins second term.
11–12 June: The Salon of 1983 (B2 Gallery) is held at the ICA and includes work by Judith Goddard, Derek Jarman, John Maybury, Cordelia Swann and Cerith Wyn Evans.
15–19 June: The Cultural Impotence of Stupid Boys No.2, a programme of new work in Super-8 and stereo by John Maybury, is screened at the ICA.
The Equinox Event is held at the London Musicians’ Co-op in Camden Town, the first extreme noise festival, features Jill Westwood and early version of Current 93.
‘A Manifestation of the Will’ at Magneta Club, first Coil performance.
‘How to Destroy Angels’ at Air Gallery, second Coil performance, Jill
Westwood also performs. It is videotaped by Cerith Wyn Evans and organised by Diana Rogerson.
Third Coil performance at Recession Studios.
Berlin, Atonal Festival II. Fourth and last Coil performance until 1999.
Epiphany, Cerith Wyn Evans
Parts I – IV, Cerith Wyn Evans
Pirate Tape, Derek Jarman (completed 1986) – documents William Burroughs visit to London
Glory Boys, Vanda Carter
Pantomine Incubus, John Maybury, 10 min
The Bird Sings with its Fingers, John Maybury 10 min
Baby Monkey’s Bad Trip, John Maybury, 15 min – documentation of Neo-Naturists performance
Beach Bath, Steven Pippin, 2 min (where was this shown??)
Again, Cordelia Swann, 3 min
Short Cuts for Tourists, George Saxon, 3 min
Write! & Write Double!, Anna Thew, 3 min
Garden Film, Anna Thew, 15 min
Shadow, Anna Thew, 3 min
Prima Dilattante, Steven Chivers, 10 min (-1984)
Tortures That Laugh, John Maybury (w/music by Maybury and Jeremiah Healey), 18 min,
New Romantics ICA 1985 Year uncertain. Various possibilities, 1978,83,86
Circus Logic I, John Maybury, 25 min, New Romantics ICA 1985
Spleen I, II, III, Jo Comino, 18 min, Salon of 83
Covenant In Exile or the Stigma of Vengeance, Barry Assinder, 12 min, Recent S8
Heart of Darkness, 15 min, Exp Berlin
Monkey Puzzle, 3 min, 3 screens, Recent S8
I Got You Babe, Liz Soden, 4 min 30 sec, 24fps, Exp Berlin
The Wound, Jill Westwood
Pardus Furor, Steven Chivers, 10 min, New Romantics ICA 1985
Like Dawn to Dusk, Vivienne Dusk, 6 min, mag strip
Home Movie Dong, Derek Jarman, 1983 (aka The Dong with the Luminous Nose), unfinished Super 8 with John Maybury
A new network of night buses arranged in response to much late night clubbing.
Diana Rogerson on cover of The Face in fetish wear.
Gorilla Tapes, the British Scratch Video collective, is founded by Jon Dovey, Gavin Hodge, Jean McClements and Tim Morrison.
September: Derek Jarman spends an evening in Benjy’s, a gay nightclub in East London, as an experiment in filming dancing for Ron Peck’s feature film Empire State (1987). The footage is shot on a portable Olympus VHS camera, which was then considered cutting-edge technology. The film was never intended to be shown, but was released by Peck in 2014 under the title Will You Dance With Me?
Catherine de Medici (Terror of the Antique), Steve Chivers
The Dream Machine, Derek Jarman, Cerith Wyn Evans, John Maybury
Big Love, John Maybury
Isaac in Oberhausen, Steve Farrer
Another Window, George Saxon, 15 min
Photo Both (84 – 7), Steven Pippin, 9 min
Lethe Rivaulx, Anna Thew, 5 min
Citta Spelata, Anna Thew, 3 min
Sailor Trailer and the Tinkling Laugher of Little Girls, Anna Thew, 3 screens, Super 8, colour, 7 min. Re-filmed on Super 8 from 16mm for ‘Salon of 84’, ICA Nash Rooms. Shown as the opening film at the launch of the Leicester Super 8 International Film Festival 1985, Phoenix Arts, Leicester, travelling with the Arts Council Touring Programme “RECENT BRITISH SUPER 8 FILM” curated by Jo Comino and Mike O’Pray.
Rome Movie, Anna Thew, 24 min
Allegro for the Dead, Anna Thew, 4 min
Past Possessed, Steve Farrer, 5 min, 2 screens, Recent S8
Spleen, Jo Comino, 15 min, 2 screens, Recent S8
Whopee, Jo Comino, 6 min, 18fps, Exp Berlin 84
Ajada, Dick Jewell, 6 min, Recent S8
Danse des Cygnets, Larraine Porter, 5 min, 18 fps, Recent S8/Exp Film & Video GB Berlin 25-28 September 84. Credited as made by Lorraine Porter and Steven Binnion in Berlin exp fest 1984.
Grey Moments, The Grey Organisation, 3 min, Recent S8
Sounds Specific, Steve Binnon, 5 min, Recent S8
Catherine et la Sirene, Martine Thoquenne, 6 min, Recent S8. Thoquenne listed as title, new title, “Catherine et la Sirene” is a guess taken from internet research
Architecture and Romance, Julia Percy, 15 min, Recent S8
World Enterprises, Julia Percy, 15 min, LFF at the LFMC s8
Skin Trade, Nigel Lindley, 5 min, Recent S8
Frames, Brian Cleaver, 12 min, 3 screens, Recent S8
The Agony of Africa, Michael Kostiff, seperate sound, 18fps
The Window of Ghat, 35 min, New Romantics ICA 1985
Postcards, Peoples and Places, Richard Heslop, 80 secs. Not sure on length. “80 sekunden” was listed as the artist.
Little Secret, Steve Binnion/Toby Kettle, 5 min, 18fps
The Journeyman, Daniel Grilly & Christopher Jenner
Another Goddam Party, Vanda Carter, 3 min, mag, LFMC distributed
Spots Before Your Eyes (-1985), Vanda Carter, 3 min, sil, colour, LFMC distributed
Voodoo Travelogue, Kate Bradley, 10 min, German Screenings
Miracle of the Rose, Cerith Wyn Evans, 20 min
Epiphany, Cerith Wyn Evans, 20 min
Primitive, Brian Cleaver, mag, 18fps
Barcelona Man, Derek Jarman, 1984, Super 8, col. and b/w
Oxford Medley Show, Derek Jarman, 1984, Super 8, col.
Imagining October, Derek Jarman, 1984, Super 8 and video blown up to 16 mm, col. and b/w
Bruce Lacey wins Andrew Logan’s Alternative Miss World with his robot R.O.S.A.B.O.S.O.M. The event was held at Brixton Academy and was co-presented by Janet Street Porter and Simon Callow.
9–11 September: The Handsworth Riots take place near Birmingham and are the first in a wave of similar uprisings across the country in the autumn of 1985. Racial tension and unemployment are major factors. Filmed footage of the civil unrest form the basis of the Black Audio Film Collective’s 1986 film essay, Handsworth Songs.
The Angelic Conversation, Derek Jarman
The Emperor’s Mother and Other Song, George Saxon, 25 min
Photo Both 2, Steven Pippin, 5 min
The Night Side of Nature (AKA (Always) The Night Side of Nature), Steven Chivers, 17 min, colour, 1 screen, New Romantics ICA 1985
Stylish Internationalism (part II), Michael Kostiff, New Romantics ICA 1985
The Poor Girl, Grayson Perry, 45 min, standard 8, 18fps
Fragments Towards the Chimera, Holly Warburton, New Romantics ICA 1985
The Child and the Saw, Heslop/Landin, 25 min, New Romantics ICA 1985
Moonlight, Vanda Carter, 8 min, B/W, LFMC distributed
Jarman is diagnosed as HIV positive. His illness prompts his move to Prospect Cottage, Dungeness, where he lived until his death in 1994.
The Queen Is Dead: A Film by Derek Jarman, Derek Jarman, 1986, Super 8 edited onto video and blown up to 35 mm, col. and b/w, includes ‘The Queen is Dead’, ‘There is a Light that Never Goes Out’ and ‘Panic’
The Dream Machine, Derek Jarman, 1986, video, col.
Caravaggio, Derek Jarman, 1986, 35 mm, col.
Handworth Songs, John Akomfrah